I'm stuck. For now, I'm a writing reader. I read great writing and write (here) about what I feel makes each piece great - in hopes that these studies will (soon) make me a reading writer, someone who can take what she has observed and apply it to her own work.
If the writer is an artist, the writing reader draws from sight, from a model... and I'm still studying anatomy, trying to locate the bone and muscle structures under the flesh of the thing. The masters have the biology internalized and have moved forward to establish unique styles. Master writing readers can each interpret the same model brilliantly, but the resulting works remain distinctive to each writing reader's own hand.
The reading writer draws from her imagination. She may refer to the rudiments of form when conceiving a work, and her art remains true to life, but is based on no one model. Her subjects are fictional.
I'm struggling to find the point where figure drawing, portrait painting, interpretation end - and illustration, conception, TRUE creation begin.
Analysis and observation are fine (and very instructing) for now. But I'm a fiction writer at heart.